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Rare insights into the working process of America's most seminal directors and choreographers are the focus of "Masters of the Stage." This series features more than three decades of priceless One-on-One interviews and panel discussions with theatre's most distinguished luminaries. Listen to these never before broadcast programs and hear the story of the American theatre told by those who helped chart its course. The Stage Directors and Choreographers Foundation brings you to this series through the collaborative efforts of the Society of Stage Directors and Choreographers and the American Theatre Wing.
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Arthur Penn |
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With:
Arthur Penn
In 2002, Arthur Penn sat down for a One-on-One conversation with SDCF Executive Director David Diamond to discuss his triple-threat career in theatre, television and film. He tells the story of his launch into theatre from the army, followed by an early career in TV and the Actors Studio. He talks about his relationship with Bill Gibson which launched two of his biggest successes: The Miracle Worker and Two for the Seesaw, and shares humorous anecdotes about working with Lillian Hellman, Sammy Davis, Jr., George C. Scott, Henry Fonda and the geneses of The Golden Boy, Wait Until Dark, Sly Fox and his film The Left-Handed Gun. Mr. Penn discusses his approach to directing, the importance of casting and his embrace of Stanislavsky's Method for both theatre and film. Other topics include the shrinking audience for theatre today, the self-serving nature of Hollywood, and his early inspirations in Elia Kazan and the Group Theatre. Mr. Penn's positive attitude about both the highs and lows of his career is inspiring, and this ninety-minute discussion with the legendary director should not be missed.
Originally recorded - April 1, 2002
Running Time - 1:20:04
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